更关键的是，美式性感与当下中国主流审美之间的张力正在扩大。强调身体曲线的广告语言，在流行更偏向松弛感、功能性和高级基础款的语境中显得过时。它既不够街头，也不够极简，更谈不上科技面料或户外转向。GUESS的牛仔与性感叙事在当下审美环境中显得有些停滞。价格与价值感之间的错位，让品牌既难以向上突破，也难以下沉抢量。
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Death is not taken lightly in Scream 7, even as the kills get outrageous. By the time the franchise got to Scream 3, it began giving into an ugly slasher cliche: making most of the victims unlikable before they die. Presumably, this is so the audience can enjoy the violent spectacle, rather than being saddened as the body count grows. In Scream 3, this series turned abruptly misogynistic, featuring a blonde actress (Jenny McCarthy) who is depicted as "nagging" before being slaughtered, then a sweet ingénue (Emily Mortimer) who, before being killed, is slutshamed for sleeping with a producer to get the role of Sidney in Stab 3. (See also Alison Brie's wickedly opportunistic PR agent in Scream 4.)
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